Orpheus Music has been bringing people together through recorder festivals and workshops for over 30 years. It all began with Call of the Four Winds and Steps in Time, followed by a growing series of boutique courses and workshops that steadily expanded over the years. Since 2022, we've been proud to offer the Australasian Recorder Festivals, continuing the tradition of connection, creativity, and community through music and the recorder.
During lockdowns I found online musical connections which led to other online events but when the Orpheus Recorder Gathering was announced as going ahead, I couldn't be more delighted.
The whirl of getting the music, finding time to practise and booking accommodation within a much shorter timeframe than usual added to my excitement.
Smaller numbers than I had experience in the past lent a closer social community atmosphere. New faces and some very familiar ones it wasn't long before we all hurled ourselves into the familiar routines of playing in the company of others under the direction of our capable tutors. Nothing quite like it ????
The Orpheus team managed to put on a great show they were under a lot of pressure to get it right and from my own experience and tales told I think they nailed it.
I am looking forward to the next one.
- Barbara O'Leary, Leeton NSW 2022
- Di Goulding, VIC 2022
I attended this year’s Recorder Gathering for the first time. I have been playing the decant for some years, but not at a very advanced level, and am almost a beginner on the treble.I had some trepidation as to whether my levels of skill would be catered for.
It turned out to be a wonderful six days. I concentrated on the treble and once I had purchased the set music, practised at home for a few weeks prior to the course.
Each day began with a two hour technique class. There were five in our group, playing a combination of tenor, treble and descant. Our ages ranged from a skilled eleven year old to others in their seventies. The music was challenging, but there was much opportunity for individual assistance.
Morning tea was delicious and we enjoyed spending time in the sun on the verandah or in the garden.
The next session was a large chamber group. This was my first experience of playing in an ensemble and I really loved our six days of honing an interesting piece of four movements for four parts into an integrated whole.
After lunch we had a small chamber group, which was more informal but still exciting and challenging.
The first evening we enjoyed an excellent concert by our skilled tutors and over the next four evenings were concerts by groups of students.
For our final concert on Sunday afternoon, the two large ensembles played. Our ‘bird’ piece went well but I was mesmerised by the other group playing a Bach Brandenburg concerto.
The Gathering was impeccably organised by Zana and Alex and ran like clockwork. Lots of friendships were made or renewed and it was a pleasure to spend time with like minded people.
I would recommend next year’s Recorder Gathering to anyone. Whatever your skill level, you will be catered for, you will learn heaps and have a great time.
- Julie Wallis NSW 2022
Possibly because there was so little preparation time there was simply not time to become frazzled. Whoops! No help so far.
I loved the smaller groups and being 'pushed' to play by oneself. Building confidence is one of the hardest things to achieve.
I really appreciated the breakdown of the music. Starting with difficult passages, or from the end working backwards. Also the build up of each bar with possible ornamentations.
I loved the course. I loved being back again and renewing past friendships.
I loved the playing. And especially I loved the smaller groups. That has always been true of the small ensemble, but not of the other groups.
- Jenny Miles VIC, 2022
If it’s January, I must be at the Orpheus Recorder workshop. But wait a minute, it’s April. What are we doing in Armidale? Well, the short answer is that COVID has mucked up everyone’s arrangements – again - including our traditional January workshop.
Did the change of date get us down? It did not! Due to the determination and dedication of Zana’s team, 47 of us turned up, a little bemused but anticipating some great playing. And how could it not be great. We had our much loved tutors, Ruth, Hans-Dieter, Jo, Alex and newby Brendan O’Donnell. The usual well-stocked shop ran with some restrictions and we benefitted from being able to survey a great variety of music, CDs and recorders.
We had the usual technique classes and small chamber ensembles but this time we had two different tutors for technique. I benefitted from the wisdom of Ruth while enjoying immensely the new challenges that Brendan set us. In the afternoons, we divided into two groups for large orchestra. My group was severely challenged by Bach’s Brandenburg III. I think I managed about three-quarters of the notes and hoped that what I missed others played.
It was great to catch up with old friends. To celebrate, a group of seven of us [Canberra, Sydney, Newcastle and Armidale] played Eccles ‘Song of the Thief’ for one of the blackboard concerts.
This time, the workshop was non-residential which had its own challenges. However, the friends I was with organised to taste the delights of Armidale’s dining culture.
Every year, for many years, I have said beforehand, ‘This will be my last Orpheus’; but at the end of each year’s workshop, I know that I will return.
- Annette Salt, NSW 2022
What would a year be without a week in January in Armidale, dedicated to playing recorder intensively with fellow recorder addicts at the wonderful Orpheus Recorder Boutique? Orpheus Recorder Boutiques are a very rich experience for so many of us, where we can immerse ourselves in the joys of learning, music-making and team-work, with like-minded people who quickly become lasting friends. Orpheus Music also sells a fabulous range of recorders of all sizes, to suit every pocket, and music from the earliest times to the ultra-modern, to suit recorder players at every level, whether playing solo or in a group of any conceivable size. A veritable treasure trove! Thanks so much to Zana, Peter and Alexandra for their expertise and patience in providing advice and help.
- Vanessa Elwell-Gavins, Hervey Bay QLD Australia 2018
- Nora Julien , Malany QLD Australia
- Brigitte Leroy, South Coast NSW Australia
- Barbara Weisflog, NSW Australia
- Karen Drury , Lower Hunter Valley NSW Australia
- Simonette Bunder, Wollongong NSW Australia
- Heather Snell, Wollongong NSW Australia
- Patrick Squire, Adelaide SA Australia
- Amanda Oades, Riverina district NSW Australia
Another positive is having lunch and morning tea with other participants and sharing news and ideas from the various recorder societies around the country. Some individuals relish the time at Orpheus as they live in isolated places where no-one else plays the recorder. Although the age group is generally above forty there is a special program for younger people and many of them are commendable players and often exist in places where the recorder is not highly valued. They play at the concerts and sometimes entertain us at meal times. One hopes that they will continue playing the recorder for as we know it is not an instrument that the majority of people have heard played in consort or realise can sound so appealing. Despite the public perception those of us who play the recorder greatly value the time we spend together in our own home towns and cities.
Another very valuable, although hard on the pocket temptation, is the huge array of recorder music, recorder paraphernalia and recorders that are for sale in the shop. Although you go into the shop with the determination not to spend any money, that resolve disappears when you find music, (which I find much easier to buy once you have seen it) and most people either buy music or recorders that take their fancy. Zana’s husband Peter is also very helpful in repairing problems with recorders, which is of enormous benefit. The final concert is often held in the New England Art Gallery, followed by a dinner at a local hotel.
It is a tiring week of concentration, but I recommend it to anyone who wants to play all day and enjoy the techniques that are given in the morning sessions and the opportunity to gather with likeminded enthusiasts. The Orpheus website is also a useful place to recommend to people who want music or recorders.
- Anne Cooke, Sydney NSW Australia
As an equally important item OM organises each January an intensive yearly week-long course for amateur players concentrating in small and large ensemble playing. In addition, an extra course for a smaller number of advanced participants is arranged in the end of the week to work on more demanding repertoire one-to-a-part. The number of participants varies between 50-100, and mainly consists of ensemble music of 3 to 8 parts in all styles from medieval to contemporary music. Three sessions including one technique session are included in the daily program, as well as a final concert and daily open evening concerts for keen voluntary performers.
I find the course of OM an excellent platform for the participants to enjoy, sustain and develop one's recorder playing skills in recorders of all sizes. The spirit in the course encourages both the participants and the tutors to keep an enjoyable yet demanding atmosphere, and OM lead by Zana Clarke ensures a very high international tutoring standard - being a recorder professional herself. Still, up to 5 different categories of skill and experience levels have been created to secure a suitable group for each participant. The technique class is also wisely restricted to a group not too big in order to enable thorough attention for everyone.
I took part as a tutor in the 2018 course, and an especially pleasant memory remained from the technique class I was teaching. A group of 10 players with more or less experience had prepared the suite BWV 997 and Meditation by Ryohei Hirose. In the beginning the participants had high prejudices or little faith in ever being able to execute the modern work nor the double of the gigue in BWV 997, but we managed to open up the works line by line over the course of the week, making them practically completely accessible for nearly everyone. Equally satisfying was to combine dynamically demanding musically speaking instrumental elements of Bach with the rudiments of fine-tuned technical aspects, having everyone in their turn -multiple times the week- take part as a soloist and otherwise in an accompanying or observing role. In this fashion everyone was occupied actively.
The course is very well paced and packaged with substantial breaks, including breakfast, small breaks, lunch and dinner, arranged with a comfortable lodging on demand within the course area. A good number of practising rooms are also available all day long for participants to work on their lines.
All in all, OM course offers a great balance of simply playing, more demanding concentration at will, learning, recorder repair services, a vast music library, instruments and accessories for sale, and social free time with good schedule margins in an all-included package.
- Petri Arvo (Master of Music, musician, recorder player, teacher), Finland
A word of thanks to Orpheus Music...
I would like to express my thanks to Zana and Peter, for the immense gift they’ve given to the recorder playing scene in Australia. The ‘tyranny of distance’ has always affected things in this country, and music education has suffered in the same way it seems. Zana saw the depth of interest amongst players widely spread out across the country, and has pulled out all stops to provide us with the best possible teaching and learning opportunities - for the past several decades no less!!
The annual summer schools, in particular, have been hugely valuable for me as a serious amateur player:
- Small classes with the best teachers from Australasia and Europe.
- It’s an unmatched opportunity to boost our skills, refine our musicality – and with individual attention...
- It’s also very encouraging to explore new types of repertoire with experienced teachers.
- Large ensembles, with players of a similar standard, provide another special treat.
- It’s a superb opportunity to play “orchestral” scale works with fine musicians from across the country.
- The huge range of sheet music and recorders on display at the Orpheus Summer School is just incredible.
- Browsing through music is enriching – new pieces, new genres, new composers to explore with friends.
- And the staggering variety of instruments to try out over the week is incredibly helpful too.
- Choosing which maker, which design, and which type of wood, is a rich experience and just takes time.
- I suspect that “Try Before You Buy” at this large scale, just isn’t available anywhere else in the country.
You've always done an amazing job to make the greatest, best opportunities for us mortals, and it clearly is making a difference. In fact, I think the overall musicianship standard keeps rising from year to year as we gain more skills, more confidence, and more solid grasp of the various musical styles that we play. And that can only happen with very good guidance!!
So, here’s my heartfelt thanks to Orpheus Music for incredible efforts with “all things recorder”:
- initiating.........
- creating..........
- sustaining.......
- resourcing......
- exploring........
- guiding...........
- encouraging...
- enthusing.......
- Ray Thomas, Victoria Australia
For the past 6? Years, a week in early January, Orpheus Recorder intensive in Armidale is my home.
We, who love and play throughout the year and we who are passionate beginners, young and old, from far and wide on our earth are given, in groups of similar standard, the teaching by the best selected tutors to play the music of the masters. These are from early centuries of European history to our present day composers:
Dance music from the courts or countryside, folk song arrangements, or simple Bach & other tunes for those progressing fast. Details of style, ornamentation, are for daily tutorials, the music for which we prepare before, to be ready for the teaching. This is the most wonderful start to each day.
Exhausted and happy, fresh baked morning tea gives energy for the rest of the day’s diverse groups to attend and play.
Important is the care, on site accommodation, and very good food needs based catering, in the school refectory, where we meet, eat with tutors and everyone.
Every night we provide a concert. The wonderful tutors open the first night. Each concert is a rich selection of solo or group or often humor & fun.
The final concert in the beautiful Art Gallery includes everyone, the joyful young teens - and younger-, the best piece of each group, and finally all participants in a wonderful double choir grand work.
Music making is wonderful food for soul, body, socially-be there.
- Marta Mikes, Sydney Australia
Orpheus Music grand recorder events in Armidale NSW branch out in my memory like a vast spiralling galaxy in space-time.
1998. A master class on Bach flute sonatas, reading/transposing flute music for alto recorder, thunderstorm and mass group photo of participants are grainy black and white recollections.
2000 at NEGGS. Call of the Four Winds Festival. Playing Brazilian and original pieces in the World Music concert. Improvising with Linsey Pollak was a sensational experience. It was always great to meet up with international guests and the amazing band of gifted Australian teachers/players and the forever enthusiastic recorder and early music fraternity. We performed Australian contemporary music in a church to the haunting nocturnal sonic backdrop of disturbed, lowing cattle and burbling cicadas. With impeccable timing, Zana gave birth to her first child, Shah, on the Wednesday, the Festival day-off! One of my class student performances began in the gymnasium, then paraded to the swimming pool, students jumped in the water and walked from the shallow to the deep end until completely submerged - playing continuously (plastic recorders only)!
2005 was my opportunity to run/co-ordinate the children’s section of the Festival. I worked with a group of incredible tutors, including clown and entertainer extraordinaire, Terry Cole. I was fortunate to be part of the opening Festival concert, devised and directed by Linsey Pollack. Five of us came to Armidale a week early to rehearse.
2011 at PLC was my first Recorder Boutique. A family of prominent Boobook owls joined us in a shaded tree on the PLC campus. Daily work on Technique and Repertoire was grist for the mill, with many well attended blackboard concerts. Hard working and enthused students soaked it all in. Playing jazz with Marion Lustig and others was fun. My Beach Boy arrangements for large ensemble were popular.
2017 Boutique was a week of warm weather, and again, very diligent and committed students. A joy to work with keen adults and lively youth group. Loved jamming on the electric recorders with Ryan Williams. Tutors performed the wonderful Boismortier voice flute quintet (announced by me mistakenly as by Loeillet; diplomatically corrected by Ruth Wilkinson) on Morgan recorders.
Armidale is such a beautiful semi-rural city. Being part of the Orpheus Recorder Boutiques, and many Orpheus recorder extravaganzas over time, has always been enriching and exciting. It’s an excellent way for all performers, students and teachers, to reflect, learn and network. The Boutiques are inspiring, superbly planned and well organised. I recommend booking for the 2019 experience.
- Rodney Waterman, Melbourne Australia
After a wobbly start I settled down and found that it was exactly where I should be. Along with other like minded people furthering their knowledge and abilities. I had a wonderful time and stepped up to the challenge and hurdled the bounderies. The best part was returning home and realising the leap in my skills. I was playing better and in my mind I had the tutors voices echo the advice of the course.
I have now attended my second ORB and in two weeks will register my third. Don't doubt yourself, do it for yourself.
- Barbara O'Leary, Country NSW Australia
Ruth and Kamala are such reliable, wonderful resources and always run great classes with terrific music selections.
Antonio’s Byrd small ensemble was a real stand-out for me, with his holistic approach to everything we needed to know to interpret and successfully perform our Byrd Fantasia #2.
It was an enormous privilege for me to be part of each of their classes, but particularly Antonio’s. I do hope you bring him back again for a future Orpheus.
I am enjoying playing in my new bass and sampling my new music…. My Hervey Bay Tootlers group will undoubtedly benefit from my experience and purchases!
- Vanessa Elwell-Gavins , Hervey Bay, Qld 2019
- Janiece Moylan, Sydney NSW Australia 2019
There are two amazing things about this course: the quality of the tutors, who come from all over the world and are really top of their game; and the organisers who are very approachable, responsive and extremely competent. It all adds up to a great week of learning and playing in a lovely atmosphere and a lovely setting.
- Sarah Kirk, United Kingdom 2019
I would like to say how much I enjoyed ORB 2019.
This was my first time in Australia - 3 weeks staying with family and friends, the middle week of which was at the Orpheus Recorder Boutique in Armidale - an amazing experience! I am only sorry that I wasn't able to avail myself of the extended days after the course.
I was made to feel very welcome by all, and needn't have worried about being out of my depth in the group. Tuition was top notch - offering moments of great insight and also great hilarity; and the enthusiasm and support of all present was very catching! Music was in every little corner of the school - impromptu pop-up concerts, blackboard concerts and just people practicing or playing in informal groups, there were just not enough hours in the day to do all the playing I wanted!
The course was very well organised, and I was especially appreciative of the shuttle to PLC from the local airport. The shop was very well stocked, the only downside was my luggage weight limit for the journey home!
I would highly recommend this course to any recorder player in Australia or even those who wish to travel from further afield! Would I do it again (?)- finances permitting - most definitely!
- Mary Hooper, UK 2019
Orpheus not only seems to be THE yearly meeting point for recorder players of all ages and from all over Australia (and far beyond!), but also nurtures the next generation of recorder players and music lovers at the same time: during my first teaching experience at the Recorder Boutique I got to meet talented young players, enthusiastic and inexhaustible (!) grown-ups and a group of the most lovely and supportive tutors, excellently guided by Zana.
During the daily sessions and by participating in big ensembles everyone receives a great deal of input and walks home with a bag full of new ideas (participants and tutors alike). The focus on sharing, music-making and helping each other throughout all levels and groups I have taught was impressive and heartwarming.
Go there, if you get the chance!
- Anna Stegmann, Netherlands 2019
- Simonette Bunder, Wollongong NSW Australia
This was my third Orpheus experience and I found it invigorating, challenging, highly educative and thoroughly enjoyable! The groups to which I was assigned were led by very competent tutors from whom I gleaned many useful ideas and techniques to implement when reading the music and playing the recorder. The nightly performances were outstanding and most entertaining! Many thanks!
- Janiece Moylan, Sydney NSW Australia
A huge thank you to the tutors for their endless kindness, patience, humour, and expertise of course! Even with the heat and busy schedules, they were always very approachable and happy to help with any queries, questions, musical problems, etc. I learnt a great deal from all of them.
Coming in at the 25-year mark, Bonnie and I got to experience a course run like a well-oiled machine. I thought the combination of small and large chamber ensembles and technique classes worked really well. As the Mum of a younger player, I would also like to add how fantastic I thought the youth stream was. Bonnies’ tutors were all wonderfully skilled at challenging her to try new things without it seeming hard. She had a lot of fun whilst learning a lot! Thank you, Orpheus Music Team.
So, in preparation for next time, I will practice:
- The set works…even more
- Getting MUCH quicker at putting multiple instruments together and packing them up again, so that I have more than 5 minutes for morning tea! (Being a flute player is so much easier)
- Exercising restraint when in the shop! Maybe the trickiest of all of the above!
- Kaylene Brooks, Melbourne Vic AUSTRALIA
This has by far been one of the best recorder experiences ever!!!!
Everybody in the recorder world here is so nice.
I loved the fact that the Blackboard concerts were so inclusive and basically everybody played in at least one.
Thank you so much for having us. We really enjoyed it.
Ps. we want to come back every single year from now on.
- Alexei Caulfield (Youth Stream), Sydney NSW Australia
(About the post-course with Joris van Goethem)
- Karen Drury , Maitland, NSW AUSTRALIA
Firstly, I was incredibly lucky to be there because of the devastating bush fires which were occurring at the time on the south coast. Remarkably I made it all the way from Merimbula to Armidale by public transport. On arrival at PLC I was greeted and supported by friends (new and old) who ably assisted me to settle in. A big thank you to you all.
I enjoyed all the sessions and gained so much from the tutors who were extremely good. We covered all the set material and I can honestly say I can now play them so much better! The opportunity to play in the Chamber ensemble was also a highlight.
Congratulations to Zana and her team for organising such a marvellous event. I felt very much part of the “recorder family”.
- Kay Scrivener, 27 January 2020, Turra Beach NSW AUSTRALIA
- Jenny Miles, Heathmont Vic AUSTRALIA , Janurary 2020
- Kathy Bianchi , Brassall QLD AUSTRALIA Jan 2020
It was such a high level of music-making, where the superbly insightful teaching just picked us all up, and carried us along to levels that I think surprised us all!!
More specifically, I want to say thanks for helping us to imagine more exciting, grander, and emotionally powerful ways to hear the music in our heads, and then actually play it....
That was a wonderful gift that you brought to all our works Joris - trusting your emotional instinct about the character, the mood, the emotional intent of each section, and then precisely directing the articulation, dynamics, contrasts and voicing, to make sure those musical ideas became so audible/tangible to everyone in the room....
That was really a new door opening for me - very exciting and empowering!!
And finally, a further thanks to the Orpheus Music Team, for their dedication in organising these summer schools. The experience provides the best tuition and the richest music-making of the year for many of us - perhaps most of us....
- Ray Thomas, Regional Victoria Australia
- Rodney Waterman, Melbourne Vic AUSTRALIA
