Six Sonatas, Op.13, c. 1735 Nos. 1 & 2
Six Sonatas, Op.13, c. 1735 Nos. 1 & 2
    Six Sonatas, Op.13, c. 1735 Nos. 1 & 2
    Six Sonatas, Op.13, c. 1735 Nos. 1 & 2
Six Sonatas, Op.13, c. 1735 Nos. 1 & 2
Six Sonatas, Op.13, c. 1735 Nos. 1 & 2
Six Sonatas, Op.13, c. 1735 Nos. 1 & 2
Six Sonatas, Op.13, c. 1735 Nos. 1 & 2
    Six Sonatas, Op.13, c. 1735 Nos. 1 & 2
    Six Sonatas, Op.13, c. 1735 Nos. 1 & 2
Six Sonatas, Op.13, c. 1735 Nos. 1 & 2
Six Sonatas, Op.13, c. 1735 Nos. 1 & 2

Reference: BCMS17

Six Sonatas, Op13, c 1735 Nos 1 & 2

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Composer: Corrette - Michel

Arranger: Eileen Hadidian

Instrumentation: Treble (or Flute or Violin or Oboe) + Basso Continuo

Period/Genre: Baroque

Grade: 

Description

*Two Baroque Sonatas.* Includes introductory notes in English.

*Sonata No. 1*
1. Basso (un poco vivace)
2. Allegro
3. Sarabanda
4. Allegro

*Sonata No. 2*
1. Vivace
2. Allegro
3. Sarabanda
4. Allegro

Michel Corrette (1709-1795) was a well-known French organist, composer and teacher. He was one of the principal composers of the French flute school in the period 1725-1740 along with Joseph Bodin de Bosmortier, Michael Blavet and Jacques-Christopher Naudot. A considerable portion of his output was for the flute: he wrote solo, sonatas, concertos, chamber sonatas and other small pieces of a more popular nature. In addition to his musical compositions, Corette produced many instrumental methods, catering to almost every instrument in common usage at the time: flute, violin, viola, cello, treble viol, harpsichord, recorder, oboe, bassoon, harp, guitar, mandolin, hurdy-gurdy and voice. His methods contain much useful information about musical style in his day. They also represent a summary of music pedagogy in France in the mid-eighteenth century. 

Score: 18 pages. 2 parts @ 6 pages ea. 

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