Collection: Recorder Makers

Made from Maple wood.
Single holes
Perfect intonation, easy to play across the range
Sound is warm and dark with a gentle beginning to the notes
A beautiful instrument for elegant shaping of phrases

Made from Cherry
Baroque fingering, double holes
Perfect intonation, easy to play across the range
Sound is warm and dark with a gentle beginning to the notes
A beautiful instrument for elegant shaping of phrases

Made from Brazilian Boxwood
Baroque fingering, double holes
Perfect intonation, easy to play across the range
Sound has both warmth and clarity
Performs well across a wide range of styles

Made from Rosewood
Baroque fingering, double holes

Perfect intonation, easy to play across the range

Sound is expressive, clear, with a fast response

Performs well across a wide range of styles

Made from Japanese cherrywood
Baroque fingering, double holes
Perfect intonation, easy to play across the range
Sound is warm and dark with a gentle beginning to the notes
A beautiful instrument for elegant shaping of phrases

Made from Ebony
Baroque fingering, double holes
Perfect intonation, easy to play across the registers
Sound is clear, precise with a very fast response
Powerful with strong projection

• Rosewood Treble - Modern Alto in G available on special request.
• Harmonic recorders: Mollenhauer & Nik Tarasov/Joachim Paetzold.
• Strong and powerful: this instrument will help you to hold your own when playing with other modern orchestral instruments or with a piano. It will be equally suitable for playing in a pop, jazz or folk band, in a string orchestra or a piano trio.

• Plum Knick Bass, baroque double holes, decorative rings, four keys.
• Dream-Edition - for the demands of a soloist! Due to their characteristic wide bore and full, round sound the Dream-Edition is ideally suited to the exceptional demands of the recorder's repertoire both in ensemble and as a soloist.

• Plumwood Garklein c3
• Versatile instruments after Hieronymus F. Kynseker, based on the original instruments kept at the Germanic National Museum in Nuremberg.
• Our Kynseker ensemble instruments remain faithful to the most important characteristics of the originals: its outer form and its strong sound, so full of personality.

• Made from Pearwood, stained blue.
• Wide bore, full sound for ensemble playing.
• Attractive shape based on Medieval and Renaissance models.
• Large finger holes, good tactile orientation on the instrument.
• Single holes.

• Made from selected Olivewood.
• Baroque double holes.
• Supreme elegance in sound and design.
• Flexibility and strength for solo and ensemble playing
• The Olivewood Marsyas has a warm, elegant and fine sound

• Made from selected Castello Boxwood.
• Baroque double holes.
• Supreme elegance in sound and design.
• Flexibility and strength for solo and ensemble playing
• The Boxwood Marsyas has a warm and elegant sound.

• Made from selected Olivewood.
• Baroque double holes.
• This is a solo instrument par excellence, also outstanding in ensemble playing.
• Elegant Baroque styling.
• The wide range and rich sound allows selected flute repertoire to be played.
• The Olivewood Superior has an elegant, clear and light sound.

The ZG-1A represents a major step forward in resin recorders. No effort has been spared to make this the Prince of Plastics.

• Especially noted for its accurate intonation and impeccable voicing.
• Now with concave windway surfaces - usually only seen in handmade wooden recorders
• Undercut toneholes
• Knick (bent) head-joint for those with finger-stretch problems

Limited edition, made from Grenadilla wood
Baroque fingering, double holes
Perfect intonation, easy to play across the range
Sound is expressive, clear, with a fast response
Performs well across a wide range of styles

Made from Rosewood
Baroque fingering, double holes
Perfect intonation, easy to play across the range
Sound is expressive, clear, with a fast response
Performs well across a wide range of styles

Tenor based on the designs of Bressan by Japanese maker Takeyama, produced by Zen-on.

Made from Maple Wood.

• Classic Baroque styling and a fine clean sound for ensemble playing.
• Maplewood, stained brown
• English fingering, made in two sections.
• Comes with joint lubricant and a soft case

• Orange Plastic head-joint, Maple body.
• Baroque double holes.
• Warm sound from wooden body, maintenance free plastic head.
• High quality materials and highest standard of craftsmanship.
• Unbeatable beginners price.

• Natural Satinwood Treble, A' = 415Hz Alto recorder after Jacob Denner (1681-1735).
• Hand-crafted baroque recorders.
• The low pitch solo instrument in the top class of baroque alto recorders.
• Highest soloistic demands - Strong and variable in tone, flexible and focused in response,stable in perfect intonation.

• Maple dark stained Bass with key.
• Versatile instruments after Hieronymus F. Kynseker, based on the original instruments kept at the Germanic National Museum in Nuremberg.
• Our Kynseker ensemble instruments remain faithful to the most important characteristics of the originals: its outer form and its strong sound, so full of personality.

• The innovative tenor recorder from the family of harmonic recorders is a high-end version for the most demanding standards. Based on the design of Dutch recorder maker Maarten Helder, the instrument was completely reworked in the Mollenhauer workshop in cooperation with recorder player Susanne Fröhlich

• Maple Treble in G, dark stained
• Versatile instruments after Hieronymus F. Kynseker, based on the original instruments kept at the Germanic National Museum in Nuremberg.
• Our Kynseker ensemble instruments remain faithful to the most important characteristics of the originals: its outer form and its strong sound, so full of personality.

Made from Olivewood
Baroque fingering, double holes
Perfect intonation, easy to play across the range
Sound is expressive, clear, with a fast response
Performs well across a wide range of styles