Collection: Tenor Recorders

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A large range of tenor recorders made in a beautiful range of woods including pear, plum, satinwood, olive, rose, palisander, grenadilla, boxwood and cherrywood. Orpheus Music stocks tenor recorders from a variety of makers including Mollenhauer Recorders from Germany, Kung Recorders from Switzerland and Aulos, Yamaha and Zen-on Recorders from Japan. The tenor is a great ensemble instrument as well as a favoured recorder for contemporary compositions. 

Please read before purchsing a Tenor Recorder

Many players find it difficult to reach all the holes when playing tenor, especially for the smallest 2 fingers of the right hand. The tenor is by no means the largest recorder, but still it can involve finger stretches greater than on any of the larger bass instruments. Our experience over 25 years has shown that when a player encounters finger spacing problems, ninety nine times out of a hundred it will be on a tenor. These problems often result in either having to stop playing the tenor altogether, or having to upgrade to a knick or a comfort model - please choose carefully!!! }}

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There is quite a bit of variation in finger hole position from one maker to another, and from one model to another. The chart below was prepared to try and show which ones will be easier. There are several factors involved: the distance between the holes is important, but another significant factor is whether the recorder is straight or has a bent head ("knick"). Knick tenors allow the right hand to hold the recorder in a higher position than with a straight instrument - the right hand is not stretching down so far and consequently a spacing that may actually be a little wider will still feel easier to reach on a knick instrument. Players that have problems with their right-hand wrist should strongly consider knick instruments.

The chart shows clearly that the use of split keys for C and C# doesn't automatically mean the right-hand little finger doesn't have to stretch so far. Many players assume that if they choose a model with C/C# keys they will have no problems, when in fact many of the most extreme little-finger stretches are actually on keyed instruments. 

Often a player will have specific issues with one or two fingers. If this is the case, then you may need to focus more on comparing the measurements for the holes played by the problem fingers. In such cases the general ranking provided here might not be so relevant for your special circumstances.

Finger Spacing Chart

In this chart the weights shown are a guide only - weight can vary within a particular model depending on which wood has been used.

 

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  • Takeyama Tenor Recorder in Maple

    Reference: TT442M

    Vendor:
    Brand: Takeyama

    Takeyama Tenor Recorder in Maple

    Made from Maple
    Baroque fingering, double holes
    Perfect intonation, easy to play across the range
    Sound has both warmth and clarity
    Performs well across a wide range of styles

    Regular price
    $1,705.00
    Sale price
    $1,705.00
    Regular price
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    Made from Maple
    Baroque fingering, double holes
    Perfect intonation, easy to play across the range
    Sound has both warmth and clarity
    Performs well across a wide range of styles

  • Kynseker Tenor Recorder (without key) in Maple

    Reference: MOL-4407

    Vendor:
    Brand: Mollenhauer

    Kynseker Tenor Recorder (without key) in Maple

    • Maple Tenor dark stained, without key.
    • Versatile instruments after Hieronymus F. Kynseker, based on the original instruments kept at the Germanic National Museum in Nuremberg.
    • Our Kynseker ensemble instruments remain faithful to the most important characteristics of the originals: its outer form and its strong sound, so full of personality. 
    Regular price
    $1,344.00
    Sale price
    $1,344.00
    Regular price
    View Details
    • Maple Tenor dark stained, without key.
    • Versatile instruments after Hieronymus F. Kynseker, based on the original instruments kept at the Germanic National Museum in Nuremberg.
    • Our Kynseker ensemble instruments remain faithful to the most important characteristics of the originals: its outer form and its strong sound, so full of personality.